In The Odyssey, Odysseus' cunning and shrewd nature quickly wins Athena's favour.[160][145] For the first part of the poem, however, she largely is confined to aiding him only from afar, mainly by implanting thoughts in his head during his journey home from Troy. Her guiding actions reinforce her role as the "protectress of heroes," or, as mythologian Walter Friedrich Otto dubbed her, the "goddess of nearness," due to her mentoring and motherly probing.[161][146][162] It is not until he washes up on the shore of the island of the Phaeacians, where Nausicaa is washing her clothes that Athena arrives personally to provide more tangible assistance.[163] She appears in Nausicaa's dreams to ensure that the princess rescues Odysseus and plays a role in his eventual escort to Ithaca.[164] Athena appears to Odysseus upon his arrival, disguised as a herdsman;[165][166][160] she initially lies and tells him that Penelope, his wife, has remarried and that he is believed to be dead,[165] but Odysseus lies back to her, employing skillful prevarications to protect himself.[167][166] Impressed by his resolve and shrewdness, she reveals herself and tells him what he needs to know to win back his kingdom.[168][166][160] She disguises him as an elderly beggar so that he will not be recognized by the suitors or Penelope,[169][166] and helps him to defeat the suitors.[169][170][166] Athena also appears to Odysseus's son Telemachus.[171] Her actions lead him to travel around to Odysseus's comrades and ask about his father.[172] He hears stories about some of Odysseus's journey.[172] Athena's push for Telemachos's journey helps him grow into the man role, that his father once held.[173] She also plays a role in ending the resultant feud against the suitors' relatives. She instructs Laertes to throw his spear and to kill Eupeithes, the father of Antinous.
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During the sixteenth and seventeenth centuries, Athena was used as a symbol for female rulers.[224] In his book A Revelation of the True Minerva (1582), Thomas Blennerhassett portrays Queen Elizabeth I of England as a "new Minerva" and "the greatest goddesse nowe on earth".[225] A series of paintings by Peter Paul Rubens depict Athena as Marie de' Medici's patron and mentor;[226] the final painting in the series goes even further and shows Marie de' Medici with Athena's iconography, as the mortal incarnation of the goddess herself.[226] The Flemish sculptor Jean-Pierre-Antoine Tassaert (Jan Peter Anton Tassaert) later portrayed Catherine II of Russia as Athena in a marble bust in 1774.[213] During the French Revolution, statues of pagan gods were torn down all throughout France, but statues of Athena were not.[226] Instead, Athena was transformed into the personification of freedom and the republic[226] and a statue of the goddess stood in the center of the Place de la Revolution in Paris.[226] In the years following the Revolution, artistic representations of Athena proliferated.[227] 2ff7e9595c
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